Saturday, May 31, 2014

Photo Walk : Retake The Vintage Shot


Around a year ago, I was very impressed by the work of Shawn Clover. He managed to blend old photos of San Francisco 1906 earthquake with his own shot and put them into a dreamy look contrasting the two scene happened at the same place but separated by 100+ years time. Take a look at his Fade to 1906 here and here.

This afternoon I conduct a feasibility study to make a "me too" attempt, using my hometown as subject matter. I collect many iconic images of Bandung from the internet, taken around 1920-1940. I drop those photos that doesn't have high enough resolution, yielding around 15 - 20 photos. The goal of this study is to evaluate the feasibility to retake those shots today as accurate as possible, given the environmental changes happened in the last 90-100 years.

The challenges are :
  1. Find the exact standing position where the original photograph was taken
  2. Guess the focal length of the lens being used. Those photos was taken before the invention of zoom lens. I guess it would be 35mm or 50mm.
  3. Find the exact camera height and tilt angle to create the same perspective view. This step only possible after the two previous step has been done right.
I treat the third step as low priority. It would take too great effort and time for a single afternoon photowalk.
Here are what I've got ...

Savoy Homann Hotel

courtesy of Tropenmuseum
D700 - 35mm

I found that the original photo was taken from behind the fence of Gedung Merdeka (Societeit Concordia). It is several meter behind my current position and slightly raised. It takes special permit to enter the Gedung Merdeka teritory, but I think it's manageble. Result : FEASIBLE


The Intersection of Grote Postweg and Bragaweg

courtesy of Tropenmuseum
D700 - 35mm

I just realized that there should be another old building on the currently OCBC-NISP office. That's why that area is feel strange, doesn't blend with its neighbor. I take the shot using 35mm lens. I think the original was taken using 50mm. My standing position is on the public road area, so no permit required. Just be careful with the traffic. Result : FEASIBLE


Post en Telegraf Kantoor

courtesy of Tropenmuseum
D700 - 50mm

This big building is now surrounded by crowds. I couldn't step back more, I stuck on the pedestrian crossing bridge behind me. Result : NOT FEASIBLE

Escompto Maatschappij Kantoor (south view)

courtesy of Tropenmuseum
D700 - 35mm
The original photo is very old, I guess from around 1910s. There should be another vintage building on the right side, but that even hasn't built yet.
By comparing the proportion, I think I've used the correct focal length, 35mm. The angle is not identical, I should move to the right and raised upward. Unfortunately, that area is already become the new Grand Mosque. Result : NOT FEASIBLE


Escompto Maatschappij Kantoor (south-east view) 

courtesy of Tropenmuseum
This photograph is much later than the previous. The Post Kantoor in the background already renovated, it must be after 1931. On the right side of Escompto there's already another building. Unfortunately, today's view is completely blocked by the fence of the Grand Mosque. Result : NOT FEASIBLE

Van Dorp Store

courtesy of Tropenmuseum
D700 - 50mm
I still don't get the position right. It should be from a lower angle and several step to the right toward the street. The area is open space, just be careful with the traffic. Result : FEASIBLE


Bogerijen - Bragaweg (north view)

courtesy of Tropenmuseum
D700 - 35mm
I still don't get the position right. It would be on the third part of the street, against those cars. I should find the time when the traffic not too busy. But the possibilities are there. I've move around a little, even I could see that Bank Jabar tower as seen on the original photo. Result : FEASIBLE


Bogerijen - Bragaweg (south view)

courtesy of Tropenmuseum
D700 - 35mm
Today's view in Bragaweg, the Bogerijen building completely hidden behind the tree. Well, I could take the old Bogerijen with modern foreground. I think it would be interesting. Result : FEASIBLE


From the eight spot I visited today, it turns out only five is feasible to retake as accurate as possible with respect to the original. Given enough time, I think I could make something interesting from this.

31 May 2014




Sunday, May 25, 2014

The Art of Waiting


"The best camera is the one that's with you…" - Chase Jarvis

I was at the lobby of my client's office. We had an appointment but the receptionist told me that he was still in another meeting and ask me to wait. So I sat on the couch and saw this interesting scene. A typical modern office with transparent glass wall and glossy ceramic floor. You can see the reflection of your face on the floor.

As Chase Jarvis said, I turn on the camera on my Lenovo P700i and start looking around to find the best angle. Shortly after, I got my scene framed and the game begins ... the art of waiting.

This is the approach used by many street photographers, including HCB. Set the frame first as the stage, and wait for actors to enter the scene. The focus point and exposure is already set and we waited in anxiety to anticipate any possibilities when someone coming into the scene. This process is highly adventurous and exerts a high tension to us to be able to capture that holy decisive moment. We never know what would happen, we have to react fast.

To make it more challenging, here is the problem ... smartphone is not as smart as DSLR in taking picture. Expect some delay between the instant when we pull the trigger until the camera start capturing the scene. We have to know the limitation of our gear and adapt accordingly in relation to the anticipated moment happening on the scene. This is a complex process involving visual, tactile and subconscious adjustment factor to accommodate the shutter delay.

I took 13 shots (only 12 shown) with varying result.


These cliche shot proved to be not that easy to get it right using a phone camera. A capture of people walk from side angle. We have to trigger the camera at the right moment (with adjustment to shutter delay) to get a wide leg spread that gives a strong "in the move" mood. I got three shots which I think is timed correctly, but two of them are out of focus. The AF function is smart enough to blur the main subject. That's another point to consider.

By doing this kind of exercise, we will learn how to anticipate a moment. We will develop the ability to recognize the feel, the atmosphere that "hints" the beginning of something, and take action in rhyme as the scene progressed. It is difficult to explain, you have to experience by yourself.

Ideally this exercise should be done using a proper camera. The smartphone factor is added to increase the difficulty level. I bet we will appreciate our DSLR more, even if it's already aged 5+ years old. .

Lenovo P700i - ISO? f-stop? shutter speed? whatever ...





Sunday, May 18, 2014

Urban Shape #10




This shot was taken at the parking entrance of Yogya Dept. Store, Kepatihan Street. Basically, this is a scene with leading line which direct the eye to the subject, the concept I've used in many shots before. But this time, the leading line is curved instead of straight. That makes a big different. I should hunt for more curve line to create a "more-than-usual" picture.


17 May 2014
Nikon D700
Nikkor 35mm f/2 AI
ISO 800 - f/8 - 1/125

Urban Shape #9



After I took the shot Urban Shape #8, I move 1 meter to the right and I saw this scene. The fence of the ladder and the wall of nearby building work hand-in-hand to create a unique framing structure that leads to the semi circle shaped ornament of the Great Mosque. Nice. The man and his daughter (I suppose) were in perfect position with a strong figure-to-ground relationship. This is geometry without being cliche.


17 May 2014
Nikon D700
Nikkor 35mm f/2 AI
ISO 400 - f/11 - 1/250

Urban Shape #8




This is a cliche shot that has been made by many. You can find many variation of this scene in Indonesia on The Street Facebook group. Boring. Nevertheless, this spot is quite interesting. The ladder change direction at the middle which gives a curvy feel. Normally, the ladder structure will be straight accompanied by usual U-turn. It's not the case with this one, located at Asia Afrika Street, near the Great Mosque.

The man was not showing his best gesture, but I don't want to waste extra time to wait another passer by. I skip the waiting process and move on to the next scene.


17 May 2014
Nikon D700
Nikkor 35mm f/2 AI
ISO 400 - f/5.6 - 1/300

Sunday, May 11, 2014

Urban Shape #7




This is a standard composition employing a diagonal leading line from foreground towards the subject. A boring fundamental shot. The shot was taken at the pedestrian lane along Unisba Campus.

I usually use 35mm lens to take this kind of shot. This one was come from 50mm lens, it feels a little bit too tight.


26 Apr 2014
Nikon F2
Nikkor 50mm f/2 AI
Kodak Tri-X 400

Urban Shape #6



After I took the shot of Urban Juxtaposition #16, I came back several times to Taman Jomblo, wandering around looking for more interesting picture. I still couldn't make a good one out of those boxes.

Then I saw this stone bench with its convex shaped lining. Hmm... this is geometry! People are busy with their stuff so I don't have any difficulties in taking this shot. Next time I'll try again from higher angle so those people heads will be arranged nicely forming a convex line.


26 Apr 2014
Nikon F2
Nikkor 50mm f/2 AI
Kodak Tri-X 400

Urban Shape #5




I found this place earlier this year and I immediately recognized its similarities with HCB's shot in Hyeres, 1932. Nice place in Kebon Bibit street, near Pasupati. I've came back here several times to make a shot but no people around to breathe a life into the scene. That day, with full of hope I came back again and found those boys playing with motorcycle. They were very young, around 11-13 years old. Even their leg still too short to step the ground while sit on the saddle. Funny..

I stay several minutes watching them until that boy turn the motorcycle to the left, in very similar scene that HCB took 82 years ago. Bang! I got it. Well, this is not perfect geometry like HCB did. I'll come back to this place again to hunt for more pictures.


26 Apr 2014
Nikon F2
Nikkor 50mm f/2 AI
Kodak Tri-X 400

Sunday, May 4, 2014

Night Photo Walk : Cikaracak Festival Amusement Park


Yesterday, I just got back home and I found this tweet on my time line :


Cikaracak Festival? What's that? They said there will be a Big Wheel, Carousel, and Kora-Kora in Taman Hewan, which just 10 minutes ride from home. Take a peek on their website, it seems this festival is part of their society empowerment program. Organized by ITB students. Hmm.. looks like this going to be an interesting night photo walk. Crank up ISO to 3200 and let's go..

Nikon D700. Nikkor 35mm f/2 AI. ISO 3200 - f/4 - 1/125.

Wow.. they're not kidding! The Big Wheel is truly standing there. Taman Sari citizens are very excited to ride the wheel, including this cute little baby.

Nikon D700. Nikkor 105mm f/2.5 AI. ISO 3200 - f/2.8 - 1/125.

Are you ready to ride, Mam? Have you read our Term and Condition ? :)

Nikon D700. Nikkor 105mm f/2.5 AI. ISO 3200 - f/2.8 - 1/60.

Have a nice and safe wheeling...

Nikon D700. Nikkor 105mm f/2.5 AI. ISO 3200 - f/2.8 - 1/60.

Speed it up..

Nikon D700. Nikkor 35mm f/2 AI. ISO 3200 - f/4 - 1/15.

Don't worry, dear passengers. I'm a certified big wheel operator.

Nikon D700. Nikkor 105mm f/2.5 AI. ISO 3200 - f/2.8 - 1/125.

Let's try Kora-Kora. Buy the ticket first.

Nikon D700. Nikkor 35mm f/2.5 AI. ISO 3200 - f/4 - 1/125.

Waiting for the turn


Nikon D700. Nikkor 35mm f/2 AI. ISO 3200 - f/4 - 1/15.

It seems fun up there ...

Nikon D700. Nikkor 35mm f/2 AI. ISO 3200 - f/2 - 1/30.

... and also down here.

Nikon D700. Nikkor 105mm f/2.5 AI. ISO 3200 -  f/4 - 1/30.

"I want to ride Kora-Kora .. but I'm scared".
"You will swinging up there when you grow up. For now, how about the carousel?"

Nikon D700. Nikkor 105mm f/2.5 AI. ISO 3200 - f/4 - 1/15.

(Sorry my dear, you move too fast. I can't set the focus right)

Nikon D700. Nikkor 35mm f/2 AI. ISO 3200 - f/4 - 1/30.

How is it going darling? Enjoy your ride?

Nikon D700. Nikkor 35mm f/2 AI. ISO 3200 - f/4 - 1/15.

"Mommy, I want to take this home"

Nikon D700. Nikkor 105mm f/2 AI. ISO 3200 - f/4 - 1/250.



This night photo walk is more enjoyable than last time in Braga Culinary Night. Scenes are sufficiently lit and not too crowded. Use of manual focus lens was intentional to sharpen my tactile skill.

3 May 2014